My name is Susanne Layla Petersen, I am a digital artist based in Frederiksberg, Denmark.
Exhibitions, shows, screenings
2022 (upcoming) Addressing the Issue: Artists and Scientists Reflect on Our Changing Planet, 22. April – 21. May, SoLA Contemporary Gallery, Los Angeles, CA, USA
2022 (upcoming) Perspectives 2022, 5.-23. January, CICA Museum, Gimpo, South Korea
2021 (upcoming) Roma Short Film Festival, 7.-17. November, (Rome, Italy), online
2021/2022 (upcoming) The Wrong Biennale nº5: ESSENCE/ABSENCE, online
2021 Utopaphobia, 21. October – 15. November, The Green Exchange, Chicago, IL, USA
2021 New York Tri-State International Film Festival, 17.-20. September, (New York, USA), online
2021 Intervals Festival 2021, 27.-29. August, The Mayak Building, Nizhny Novgorod (Russia)
2021 Lift-Off Sessions, July and September, (Pinewood Studios, UK), online
2021 FEX., Cologne, Germany, platform and exhibitions
2021 VIDEOFENSTER, 22.-27. June, Cologne, Germany
2021 Corona Film Collection 2021, 1.-30. April, Alphabet Art Centre, Cinema K, online
2021 Streetlight, 8.-28. March, Roman Susan, Chicago, IL, USA
2021 The Wake-Up! Memorial – Corona! Shut Down?, (NewMediaFest2020), online
2021 SPAMM (SuPerArtModernMuseum) Covid 1984, online
2020 Word Revolt VR, 1.-14. November (Word Revolt Gallery, Atlantic Beach, FL, USA), VR
2020 SPAMM (SuPerArtModernMuseum) Covid 1984, online
2020 CICA Experimental Film and Video 2020, 27. May – 14. June, CICA Museum, Gimpo, South Korea
2020 2020 Juried Online Art Show, 22. May – end of 2020, (Anton Art Center, Mount Clemens MI, USA), online
2020 Epidemic – Art in Corona Times, March-May, (60 Seconds Festival, Copenhagen), online
2020 SPAMM – 4BR3 4 tU4 M3NT3, D35con3c+4, 19. March – 16. May, (Zaratan Arte Contemporânea, Lisbon, Portugal and SPAMM the Super Modern Art Museum), online
2020 FORCES, 13.-19. March, The Old Biscuit Factory, London, UK
2020 Environmental Crisis, 13. February – 14. March, Gerald Moore Gallery, London, UK
2020 One-Off Moving Image Festival, 10.-16. February, (Noemata), Valencia, Spain, Gol, Norway, and online
2020 Contemporary Fine Art, 7.-13. February, The Old Biscuit Factory, London, UK

2020 In My House, January, a house in Southampton, UK
2019/2020 The Wrong biennale: EPICENTRE, Centre del Carme Cultura Contemporània, Valencia, and 20 other locations in Comunitat Valenciana, Spain
2019/2020 The Wrong biennale: BIG or BIGGGEST, Den Frie Centre of Contemporary Art, UNION, Frederiksberg library, Copenhagen, Denmark, and online
2019 Simultan Festival XIV, 8.-10. November, Corneliu Miklosi Museum, Timişoara, Romania
2019 Bridgeport Art Trail, 7.-10. November, The American Fabrics Building, Bridgeport CT, USA
2018 and 2019 Videos and images in Red Line Art Works Gallery, online
2010 1st International Photo Exhibition, Swayam Art Gallery, Dharan, Nepal

2020 Image in Penny Thoughts art publication issue #42
2019 Image in Average Art magazine, December edition
2019 Image in Art Life Presents art magazine, October edition
2019 Image in WOTISART? art magazine, June edition
2019 Images in Average Art and A5 art magazines, January editions
2018 Cover image, the literary magazine Slagtryk, December edition
2018 3 cover images in Penny Thoughts arts publication issue #7
2018 Poetry in the literary magazine Slagtryk, August edition
2018 Images in WOTISART?, A5, and Average Art magazines, April editions
2017 26 pages presentation of my works in Peripheral ARTeries Art Review – Biennial edition
2017 Image in Average Art magazine, August edition
2017 Image in A5 art magazine, June edition
2017 Image in WOTISART? art magazine, June edition
2017 Poetry in the literary magazine Slagtryk, May edition
1997 Poetry in the literary magazine Hvedekorn 1/97
1996 Poetry in the literary magazine Hvedekorn 3/96

2021 RIOT POEMS, Instagram @riotpoems
2019/2020 The Wrong biennale: RIOT POEMS, Instagram @riotpoems

2018 Instagram online residency, Art4 U 10th-16th December
2000-2009 web sites and GUI design, web graphics and animation for business and NGO
1999 – or so – first sites with my poetry and images on WWW

2019 and 2020 Red Line Art Works’ “Highly Commended”, for series of works which has globally significant humanitarian or ethical importance

Artist statement
I don’t write artist statements. My project MANIFESTO is replacing the texts artists are generally expected to deliver. Curators may also want to read WYSIWYG